(Jem Cohen, 2012)
New York-based filmmaker Jem Cohen has etched out an impressively understated career as an independent documentarian and film-essayist amidst a thoroughly mainstream climate. Museum Hours extends his proclivity for creating observational portraits of urban landscapes, only this time he attaches it to a careful deconstruction of the notions of spectatorship and the relationship between cinema and art. (Continue reading here)
Big Screen, Little Screen 